Pieces marked with * are delivred
only in the territory EU/EFTA (Europe, Iceland, Norway, Liechtenstein, Switzerland); piece marked with ** is not delivred; (look at AMATEURS' CORNER).
1.EURREAL (LITTLE BROTHER)
MONTGOMERY: VICKSBURG BLUES, page 1
2.EURREAL MONTGOMERY: TREMBLING
BLUES, page 15
3.EURREAL MONTGOMERY: BOB MARTIN'S BLUES, page 21
4.EURREAL MONTGOMERY: BASS KEY BOOGIE, page 27
5.EURREAL
MONTGOMERY: FARISH STREET JIVE, page 39
6.EURREAL MONTGOMERY:
SHREVEPORT FAREWELL, page 49
7.EURREAL MONTGOMERY: STENDAHL STOMP,
page 65
8.ALBERT LUANDREW (SUNNYLAND SLIM): IT'S YOU BABY, page 79
9.PETER CHATMAN (MEMPHIS SLIM): THREE AND ONE BOOGIE, page 87
10.PETER CHATMAN: GOOD ROCKIN' BLUES, page 111
11.PETER CHATMAN RED
HAIRED BOOGIE, page 125
12.PETER CHATMAN ENTREE DE MEMPHIS BOOGIE,
page 147
13.PETER CHATMAN MRS IDA B, page 151
14.PETER CHATMAN
BACK HOME, page 165
15.*AMOS MILBURN: AFTER MIDNIGHT, page 175
16.*AMOS MILBURN: MY BABY'S BOOGYING, page 185
17.*AMOS MILBURN:
RYTHMIC MOTIFS AND REPEATED DESCENDING RUNS:
*ALADIN BOOGIE(EXTRAIT) , page 195
*AMOS
BLUES(EXTRACT) , page 199
*DOWN THE ROAD A
PIECE(EXTRACT) , page 201
*MONEY HUSTLIN'
WOMAN(EXTRACT) , page 203
18.P.JOHNSON: 6TH AVENUE EXPRESS
(INTERPRETATION BY BIG JOE DUSKIN) , page 205
19.*BOB ZURKE: EXTRACT
FROM A BOOGIE WOOGIE BY BOB ZURKE, page 215
20.BOB ZURKE: RHUM
BOOGIE (EXTRACT) , page 219
21.**OSCAR PETERSON: OSCAR'S BOOGIE, page
221
APPENDIX 1: THE DIMINISHED SEVENTH AND DIMINISHED FIFTH
CHORDS,page 233
APPENDIX 2: MODAL TRANSFORMATIONS BY SEQUENCES OF
THIRDS AND SIXTHS, page 235
APPENDIX 3: USE OF NEIGHBORING NOTES IN
THE CREATION OF MELODIC MOTIFS, page 241
APPENDIX 4: RUNS IN THE
BLUES SCALE BY MEMPHIS SLIM, page 245
